Katori Shinto-ryu and Vietnam are a "good combination," says an anthropologist from Holland
Two foreigners practice Japanese martial art Katori Shinto-ryu at a dojo of Malte Stokhof, a Dutch martial artist, in District 7, Ho Chi Minh City/ PHOTOS: TUAN ANH
When Malte Stokhof opened his Japanese martial art class in Ho Chi Minh City in March last year, there were lots of classes teaching popular arts from Japan like Aikido, Judo and Karate.
The Dutch expat, who has lived in Vietnam since 2005, was not worried about the competition.
His purpose at that time was to get a partner with whom he could practice Katori Shinto-ryu, one of Japan's oldest martial arts then virtually unknown in Vietnam, Stokhof said.
He had practiced the art all by himself for six years while working for an education support center owned by the Dutch government.
Even though he went every year to Japan to practice with Risuke Otake, headmaster of the art, his teacher told him that he could not train alone anymore. So, the Japanese teacher wrote a special certificate appointing him the leader of Katori Shinto-ryu in Vietnam, Cambodia and Laos.
Returning to HCMC, Stokhof opened a dojo called Katori Shinto-ryu Vietnam in District 7 and has since become "Malte-sensei," something he had not originally planned. (Sensei is Japanese honorific used to address people with a certain level of mastery in arts or some other skills, including martial art teachers.)
Stokhof said it is "easy" to recruit students, because in Vietnam there are many young people who want to learn something. But it is "difficult" to find students who want to train "seriously," as every training course takes three hours nonstop.
"Many people want to try it, but after one or two times, they feel it's too heavy so they stop," he said.
He said about 200 students registered at his four dojos, including one in Hanoi, but only 20-30 of them, including seven expats from countries like Japan, Canada and France, attend training regularly.
So far, Stokhof has sent five of his Vietnamese students to Japan at his expenses, so they can practice at Otake's place, see with their own eyes if what they are doing in Vietnam is correct or not, and establish their own relationships with Katori Shinto-ryu in Japan.
"When I go away, they [the students] should have enough knowledge and experience to continue the art in Vietnam," he said.
Otake, who is now 86 years old, told Stokhof once that Vietnamese students are among the best.
"They are very young and train just for a short time, but their attitude is so good," he quoted his teacher as saying. "So, I think Vietnam and Katori Shinto-ryu are a good combination."
In an interview with Vietweek, Nobutoshi Otake, who held a seminar at Katori Vietnam's dojo with the participation of foreign practitioners early this month, repeated his father Otake's comment.
Having conducted lots of seminars at dojos around the world, the Japanese master said many foreigners are studying Katori Shinto-ryu, especially Russians, but Vietnamese do better than them, which must be thanks to Stokhof's teaching.
"Malte does the teaching job better than training by himself," he said.
Vo Thanh Lien Anh, a student who attended Stokhof's class more than seven months ago and now helps him manage the dojos' finances, said he teaches them both techniques and etiquette how to behave, at least in a dojo.
She also said it was her teacher's enthusiasm for the Japanese martial art, expressed through stories he told during their first encounter at a party that inspired her to take it up.
Real martial art
Stokhof said in Vietnam, people often enroll in Japanese martial art courses, pay money and then attend training in a class with 60 others. But, they only learn how to make movements and take exams, not how to fight.
Malte Stokhof opened a class in Ho Chi Minh City to teach Katori Shinto-ryul ast March
After a few years, they would want to know if they can get a black belt from Japan, but they cannot because martial art organizations in Japan do not know about schools where they learn, he said.
Moreover, many people open classes once they have black belts, but "it is too early," according to Stokhof, explaining that a teacher have to be "really good" at etiquette, techniques and keeping atmosphere in the class.
For instance, if one person is physically strong but not friendly, a teacher has to explain to them that to be strong is not important.
"Katori Shinto-ryu teaches that if you do martial arts without reishiki (etiquette), respect, and culture, it is just violence. We learn to respect each other. The weak learns to become strong and the strong learns to become modest.
"I want to make the art well-known in Vietnam, not only because it brings health but also because it increases knowledge of culture, history, life, health and many other good things.
"I want Vietnamese students to have a real martial art here," Stokhof said.
On the move
Stokhof said he first practiced Japanese martial arts when he was six years old in Indonesia, where he lived with his parents for 13 years.
After returning to Holland for few years, he went to Thailand and other countries, including Vietnam, to study anthropology.
Wherever he went, he never stopped training in martial arts because it helped him organize his life. "When you come to a strange country and you don't speak the native language, it's very easy to get lost," Stokhof said.
He first came to Vietnam nearly 14 years ago when he was doing his masters degree to do anthropological research with Vietnamese professor Phan Huy Le.
After finishing his course, Stokhof went back to Holland and worked at a university until 2005, when he returned to Vietnam for a doctorate course. This time he took his Dutch girlfriend, now his wife, with him.
Now the father of two children, Stokhof spends time with his family besides working, training, teaching and studying Japanese.
But he does not find his life hectic.
"I feel good because I can see lots of energy and receive help from my students. My family life is good now, and my work is stable."
ABOUT KATORI SHINTO-RYU
Katori Shinto-ryu, officially known as Tenshin Shoden Katori Shinto-ryu (The sword style of the Katori Deity), was founded by Iizasa Choisai Ienao in 1447.
Considered the origin of many Japanese martial art forms, it includes various fighting techniques - empty handed, long sword, short sword, staff, spear, naginata (Japanese blade in the form of a pole weapon), and shuriken (Japanese sharpened hand-held blades).
In 1960, Katori Shinto-ryu became the first martial art to be recognized as an intangible cultural heritage in Japan. Risuke Otake, the art's current headmaster, was appointed guardian of the tradition.
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